Solvent
Solvently One Listens
CAN Suction
Solvent’s sophomore album is not harder, faster, or more intricate
than’98’s selftitled debut--and that’s just how Jason Amm likes it. “A
lot of electronic artists get the impression they have to one-up
themselves every time,” Toronto’s Amm says. “ That kind of thing is not
important to me.” Amm forms 50% of the duo behind the Suction label and
100% of the humanity behind the machines of Solvent. What is important
to him are the songs themselves. “I have a pop song mentality, so it’s
more about perfecting the craft of the pop song, better arranging my
tracks, and creating stronger melodies, as opposed to getting more
involved in the technology. I’m aiming at perfecting the pop song.”
And that’s the refreshing result heard here. Yes, this is 1999’s
electronic music, but it’s not frantic drill n bass or experimentalism
for the sake of it. This is electronic music brimming with vigor,
contemplative one moment, but bold and cheerful the next. Still, Amm’s
music often gets lazily lumped into the IDM (Intelligent Dance Music)
camp, and that doesn’t make him happy. “That stuff is really leaving me
cold now because I really do need melodies and structures and the things
that came from the pop sensibility. I like things that are catchy and
direct; I’m not really into abstraction.” There are a variety of moods
and tempos on this full length, but Amm ensures there’s always something
memorable lurking at the heart of each composition. It’s a lesson
learned from the techno pop and industrial dance that was the soundtrack
of his youth. “Hearing electronic listening music like Aphex Twin and
Autechre was like a revelation and it kickstarted me into taking
music-making more seriously. But once I started getting involved in it,
my roots started showing through. I grew up listening to stuff like
Depeche Mode and Soft Cell because that was the most electronic stuff I
could find. That’s where I started and that’s where I hope to head in
the future.”
--Andrew Duke
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